Opinion
An Antidote to Instagram’s Toxicity Is Already in Our Hands
The body positivity movement is an asset that Instagram seems reticent to put forward as the resource it is.
Opinion
Opinion
How is This Possibly the Right Time for a Fabergé Show at the V&A?
So legendarily precious and complex are the Fabergé eggs that they have become a byword for insane expenditure.
Opinion
Why We Need Prizes for Digital Art
As acceptance of digital art grows, there is also a need to validate quality and recognize artists who explore radical ideas and achieve creative breakthroughs.
Opinion
Plans for a Billion Dollar College Dormitory Are a Strange Mix of Carceral and Utopian
The plans for Munger Hall may just be the most ruthlessly efficient way to house 4500 students.
Opinion
Repatriation is a Start, but True Healing for Benin Requires More
Equity should be discussed in the form of European and American institutions partnering with the Benin government to create sustainable museums.
Opinion
Why Frida Kahlo Still Isn't a Great Woman Artist According to the Market
Greatness, in this new golden age of wealth and vanity collecting, is inextricably linked to money, selling prices, and auction results.
Opinion
Just like Museums, Libraries Aren't Neutral
There are many structural inequalities baked into the Library of Congress classification system, contributing to the further marginalization of already marginalized groups.
Opinion
How Africa’s Cultural Institutions are Leading the Way in Audience Development and Research
Rather than engaging with Africa’s cultural sector through a singular lens, what if the world looked to it as a source of innovation and instruction?
Opinion
When “Art” Dies, the Community Will Thrive
Perhaps museums can’t be museums until we in the community tell them they are that.
Opinion
An Archconservative Magazine Discovers Afrofuturism at the Met and Is Not Pleased
Conservative critic Gilbert T. Sewall wants to make the Met great again.
Opinion
The Parthenon Sculptures Should be Repatriated Immediately
The principle that one misdeed deserves to be redressed before another, because it stems from a situation of greater violence, is wrong.
Opinion
What Do We Do with the Work of Immoral Artists?
Where should we “draw the line” between sacrificing great art and supporting artists who are predators and bigots?