Opinion
When “Art” Dies, the Community Will Thrive
Perhaps museums can’t be museums until we in the community tell them they are that.
Opinion
Opinion
An Archconservative Magazine Discovers Afrofuturism at the Met and Is Not Pleased
Conservative critic Gilbert T. Sewall wants to make the Met great again.
Opinion
The Parthenon Sculptures Should be Repatriated Immediately
The principle that one misdeed deserves to be redressed before another, because it stems from a situation of greater violence, is wrong.
Opinion
What Do We Do with the Work of Immoral Artists?
Where should we “draw the line” between sacrificing great art and supporting artists who are predators and bigots?
Opinion
An Exhibition That Lets You Smell and Taste the Beauty in the Paintings
Bagh-e Hind began with the question: Is it possible to recontextualize historical South Asian paintings and objects through lyrical, olfactory interpretations?
Opinion
Why the Art Institute of Chicago's New Docent Program Faces Whitelash
In September when the Art Institute of Chicago announced that the current docent program would be dissolved, the backlash was swift.
Opinion
Facebook’s Hypocritical Guidelines Prevent Us Advertising our Suzanne Valadon Show
If artwork exists in some protected category, as Michelangelo’s “David” seems to, why then is a painting showing a female nude deemed “unacceptable”?
Opinion
What Are We Missing in the Debate Around NYC City Hall's Jefferson Statue?
The sculpture was commissioned by the first Jewish commodore in the US Navy, Uriah Phillips Levy, who faced anti-Semitism throughout his naval career.
Opinion
How CODA and Sound of Metal Misrepresent Deaf Culture
Two recent films about Deaf culture have been lauded by hearing audiences, but set deafness and music at odds in superficial ways.
Opinion
The Age of Too Much Museum Storage Must End
With growing calls for repatriation of colonial era objects and against illegal trafficking of antiquities, hiding them away from public view in a chamber of secrets is doubly unethical.
Opinion
The Problem With Exhibitions About "The Times We Live In"
The noble ambitions of these shows doom them to be listicles, box-ticking exercises struggling to meaningfully speak to the issues of our sociocultural moment.
Art
Reimagining Queer Presence in Grand Museum Rooms
A commitment to trans subjects, and their queer communities, is manifested as a holding environment made approachable by our concern, grounded in intimacy and legacy, enfolding any viewer who will stop, listen, and receive love.