Opinion
The Fuzzy Line Between Inspiration and Appropriation
A story about a kidney and the drawing of a knee bring up age-old arguments about plagiarism and appropriation.
Opinion
A story about a kidney and the drawing of a knee bring up age-old arguments about plagiarism and appropriation.
Opinion
As long as museums make representational rather than structural changes, they cannot shake off their white supremacist origins.
Opinion
While court cases have helped to shape this movement from the 1930s until today, the social-media landscape has generally remained deaf to calls for change.
Opinion
COVID-19 demolished the canard that serious work is incompatible with family life. We can no longer entertain the illusion that raising children requires a total sacrifice of any other endeavor.
Opinion
Museums’ narrow approach to embracing digital art and technologies reinforces the perception within the NFT art community that legacy institutions like museums are elitist and antiquated.
Opinion
Making a place where critical thinking was at the center of everything was bound to be an uphill battle.
Opinion
The act of touching allows a deeper sensory understanding for the viewer while simultaneously creating a rebellion against the terms of viewing, the defining terms of the museum and gallery space.
Opinion
Lawson’s images, and the ways that she has discussed her process, seem to be actively reproducing the kind of big-dick energy power dynamics of White male artists who also claim mastery over their subject matter.
Opinion
Sadly, though by no means surprisingly, there is precedence for this female erasure. Women have been and continue to be the executors of the invisible, unpaid, unaccredited labor that makes much of the world run smoothly.
Opinion
It seems like we broke the ice to a growing consciousness that the status quo isn't going to work.
Opinion
Is it possible to revere the long illustrious history of Shakespeare in the Park, which includes fine Black actors such as James Earl Jones, while also suggesting it may no longer serve a changing city?
Opinion
As funding organizations prioritize participatory public art processes and creative engagement, we might look George Rhoads’s corpus as an instigator of engagement.