Opinion
My Experience as a “Minority Intern” at a Museum in the 1990s
There were three “minority interns” at the National Gallery of Art in 1991. I was the “Hispanic” in the group.
Opinion
There were three “minority interns” at the National Gallery of Art in 1991. I was the “Hispanic” in the group.
Opinion
I almost lost my opportunity to curate the show I'd come to moCa Cleveland to create. But these times are different and I'm unlike anyone to ever work there.
Opinion
Contrary to what you might think, a problem isn't occurring because there are more white people in some historical photo dataset.
Opinion
The blockchain signals a shift in our identity formation in the 21st century.
Opinion
By cutting, reframing, and layering, artists, including Rodell Warner and Alanna Fields, encourage a re-viewing of the past.
Opinion
For three and a half years, I ran Weeksville Heritage Center in Brooklyn while dealing with issues of precarity.
Opinion
There is a century-long history of political mobilization by students of color on campus.
Opinion
The most astounding result of our research was discovering how few museums had complied with the American Alliance of Museums' simplest requirement: having a public collections policy.
Opinion
How erroneous assumptions about Cuba can skew our understanding of the country’s cultural centers.
Opinion
There are many benefits of artist residencies, but for me, the best conditions for making art involve being paid to work where I already have the infrastructure.
Opinion
"Black Refractions," a touring exhibition now at the Utah Museum of Fine Arts, throws into vivid relief the state’s shameful record on race.
Opinion
In the middle of a pandemic that hit New York hard, Frieze returns to the city with an in-person art fair, aggressively pursuing making money.