Opinion
As Cuban authorities continue to target artist Tania Bruguera, Pablo Helguera publishes, for the first time, his 2015 essay on Bruguera’s attempt to stage a public performance on free speech.
Opinion
The gawking fascination with the Utah obelisk taps into larger, fundamental behavioral problems that are holdovers from colonizing the frontier.
Opinion
Public protests once filled the same streets now transformed into block parties. Photojournalists captured the impromptu gatherings and spontaneous joy that emerged in the distinct style of each city.
Opinion
Recent works, including monuments to Mary Wollstonecraft and Medusa, demonstrate that it’s not that women have a problem with public monuments; it’s that public monuments have a problem with us.
Opinion
The best way to diversify a museum’s collection is by any means necessary. But an easy way is to sell overvalued art and buy undervalued art. Or at least it would be easy, if the art world establishment permitted it. The art world euphemism for museums selling art is
Opinion
This year, the excitement of having a shared and immersive three-week-long, city-wide artistic experience with people in a swing city in a swing county in a swing state was missing.
Opinion
The crucial question is how to ensure diversity is always top of mind, regardless of who the designers or students are.
Opinion
This undertaking is playing out today in New Orleans, amid calls to remove the city’s 17 confederate monuments.
Opinion
Creative types are an untapped group of exciting potential political candidates who are equipped with the lived and professional experience that would benefit public service and policy.
Opinion
As a field, we’ve waited far too long for these institutions to get on board. So now the call is for us: Black, Indigenous, and People of Color artists, leaders, and the organizations that serve us.
Opinion
Coney Barrett’s goal to build a “Kingdom of God” as a Supreme Court justice has threatened many livelihoods. How will her policies fare the arts?
Opinion
We are seeking opinions that encourage and cultivate thoughtful debate and make it possible to see aspects of an exhibition, policy, or initiative that we had not considered before.