Opinion
Why We Think About Art in a Time of Adversity
In launching Art at a Time Like This we felt an enormous responsibility in starting an art platform that responds to crises in the US and abroad.
Opinion
In launching Art at a Time Like This we felt an enormous responsibility in starting an art platform that responds to crises in the US and abroad.
Opinion
In times of racial upheaval, we tend to ask Black artists to contribute to the discussion. But when the news cycle shifts, the demand seems to wane.
Opinion
Much is lost when cultural forms are understood primarily through the lens of property ownership — whether they are expressed as physical objects or digital code.
Opinion
We need to make it clear to our museums that we do not want to walk around in galleries of stolen artworks.
Opinion
The British government's new “free speech champion,” Oliver Dowden, has threatened museums with funding cuts if they remove controversial statues.
Opinion
What happens if we take up both Corinne Robins’s recognition of the necessity of critique and Adrian Piper’s vision of generative collaboration?
Opinion
Is Cuban socialism a success or failure? Is Cuba frozen in time or on the verge of being overrun with McDonald’s? One field that displays the complexity and contradictions of Cuba is the arts.
Opinion
In hiring me to curate Forensic Architecture's first US survey exhibition, the museum mouthed the words of social justice but with the realization that those words would preface consequences, it began to choke.
Opinion
The “Patria y Vida” video is spreading like wildfire in Cuba and Miami, a sign of widespread discontent on the island as well as unity among Cubans.
Opinion
Museums and their stakeholders can start to address and fix systemic issues by implementing three basic transparency measures that put ethics into action.
Opinion
This is a calling-in to the philanthropic, nonprofit, and education sectors to expand their circles of trust beyond white or white-adjacent executive leadership in order to water the roots.
Opinion
In preparing for the CAA's conference this month, I was stopped in my tracks by a presenter agreement that required contributors to sign over extensive rights, made no reference to fair use, and put all liability risk on the speakers.