Opinion
Footage from the perfume's release party also featured white people dressed in sacred war bonnets dancing around tipis and belting out war whoops as spectators sipped champagne.
Opinion
Whether it's through the Vessel or the accessibility of galleries, by not sufficiently supporting the neurodiverse and disabled communities, the art world is inadvertently reinforcing the ableism that pervades American society.
Opinion
Activist organization Decolonize This Place believes "the museum can be made responsive to people rather than to the dictates of capital, that it can foster creativity and memory rather than functioning as a tool to launder the reputations of the ultra-wealthy."
Opinion
As I experienced firsthand at WorldPride, the erasure of Indigenous peoples is alive and well in the queer community. But our culture is not a costume.
Opinion
Djulfa, a sacred site for Armenian Christians, is disqualified from consideration because the host of this year’s UNESCO World Heritage Committee session, the government of Azerbaijan, has erased its existence and destroyed tens of thousands of Armenian cultural monuments.
Opinion
Victor Arnautoff's "The Life of George Washington" was painted at George Washington High School in 1934 under the Works Progress Administration. Recently, the school board voted unanimously to paint over it, becoming a contentious topic on public art preservation.
Opinion
Current museum expansions are hung up on the concept of size. Instead, could we rethink the “grow or die” museum mentality of the 1990s and 2000s?
Opinion
Racist incidents like the one that targeted school children at the Boston MFA are neither the beginning nor the end. They underscore the museum world's frequent failure to serve marginalized communities.
Opinion
After Spencer Tunick staged an action outside of Facebook's NYC headquarters to protest social media censorship, many pointed out its similarity to the work of feminist artist Micol Hebron.
Opinion
An art worker offers their take, saying: “We cannot hold those in power to account without a redistribution of that power.”
Opinion
A documentary at the 79th Whitney Biennial may detail horrors funded by the Whitney’s own chairperson Warren Kanders, but don’t applaud the museum for the self-criticism.
Opinion
I am not going to the 13th Havana Biennial because my struggle to achieve freedom of expression in Cuba, my defense of cultural rights, and my efforts to end political hatred among Cubans and defend the right to demonstrate in the streets are not limited to an event. It is my life mission.