Opinion
Why I Did Not See the Picasso Show at the Tate Modern
It was with a certain incredibility that I discovered the museum was hosting a major Picasso exhibition titled Love, Fame, Tragedy. Nevertheless, I wanted to see the show for myself.
Opinion
It was with a certain incredibility that I discovered the museum was hosting a major Picasso exhibition titled Love, Fame, Tragedy. Nevertheless, I wanted to see the show for myself.
Opinion
The seeming inability of rigorously trained, highly educated professors to identify what should be an obvious example of abuse on the part of Avital Ronell signals a fatal flaw in academia.
Opinion
A curator reflects on how to respond to the controversial censorship of Josephine Meckseper's American flag–inspired artwork at a Kansas museum.
Opinion
Thoughts on why curatorial effort isn't always acknowledged by museums and the press.
Opinion
The new Venice Biennale uses a fake Chinese curse for its title. We suggest 20 alternative curses.
Opinion
On the Fourth of July, Therese Patricia Okoumou climbed the Statue of Liberty to give voice to her fellow immigrants.
Opinion
The "Apeshit" video is important because people of color rarely have the opportunity to claim such spaces, but it also perpetuates the dangerous notion that art is a luxury.
Opinion
Does an artist have the right to withhold their work when they don't agree with the political message?
Opinion
Hamishi Farah's portrait painting apparently based on a photo of Schutz's son was intended as a response to her controversial painting of Emmett Till, "Open Casket."
Opinion
President Trump's new detention center for immigrant children in Texas houses 1,700 boys in a former Walmart and includes a mural featuring his image.
Opinion
After music and fashion, Kim Kardashian's husband is trying his hand at architecture via his new firm, YEEZY Home.
Opinion
A terror plot targeting the British Museum was recently thwarted, but the reasons why it became a target in the first place go far beyond the current political climate.