Opinion
Antique painting specialist Dr. Bendor Grosvenor was repairing a painting by John Michael Wright, when his cat attacked, leaving him with additional repairs costing as much as the painting itself.
Opinion
A reflection on the commodification of Jim Crow's violence through public memorials.
Opinion
Amidst a surge in white supremacist violence across the country, the time has come to reconsider how American museums are presenting European art.
Opinion
The Whitney has not had the moral courage to reject support from a benefactor who generated his wealth in socially irresponsible ways.
Opinion
When will organizations stop spending millions on rebranding campaigns that swap images for bland, all-text fonts?
Opinion
I am writing to contest Rijin Sahakian’s characterization of the artist-led organizations I helped to build from the ground up.
Opinion
The museum's upcoming exhibition, Play It Loud: Instruments of Rock & Roll, has been criticized for its exclusion of women in the industry.
Opinion
The three top winners of the prestigious Taylor Wessing Prize depict people of color, photographed by white photographers.
Opinion
This week, Christie's announced that it would pilot blockchain technology to record its fall auction season, but will the digital ledger system solve the market's transparency problems?
Opinion
This years’s total sales were nearly half those of last year, which some critics say is a symptom of a bloated market with overly ambitious estimates. Even a Van Gogh painting went unsold this year.
Opinion
A new project that is slated to appear in front of the New York Public Library's main branch on Fifth Avenue will contain the blood of refugees.
Opinion
Recent actions allegedly perpetrated by the Saudi Arabian monarchy, the brutal murder of a journalist, are nothing new, but have triggered an overdue interest in human rights among museum leaders.