Opinion
The Cruelty of American Curatorial Silence
Many of my fellow curators, especially at institutions, have failed to speak out against fascism. What is it about being a curator that offers a free pass for political silence?
Opinion
Many of my fellow curators, especially at institutions, have failed to speak out against fascism. What is it about being a curator that offers a free pass for political silence?
Opinion
It’s a striking contradiction: Four Black American artists get major shows in Europe while the American institutional capacity and constitutional protections collapse in tandem.
Opinion
I thought I’d found a safe place to make art. Instead, I entered a theatre where most perform the role of liberated artist while swallowing institutions’ diversity scraps.
Opinion
Auction headlines offer a picture of health that hides a body in crisis.
Opinion
The worst of the current market decline is not the closure of major galleries. It is the dozens of younger galleries that have gone under in the past three and a half years.
Opinion
What began as a conversation among a handful of artists has grown into a decentralized creative action, spanning more than 600 events across the country.
Opinion
One elevated the prosaic. The other merely gilded the familiar.
Opinion
Sponsored by the billionaire, its upcoming fashion show will “reveal the inherent relationship between clothing and the body.” Groundbreaking!
Opinion
Just as 20th-century fascists deployed radio and film, today’s ideological descendants use memes, social media, and above all, artificial intelligence.
Opinion
MFA programs are marketed as gateways to success. The fine print tells a different story.
Opinion
The sentiments that drove his inspiring campaign should be familiar to any artistic soul.
Opinion
Mamdani’s campaign is one of the most significant political gatherings of artists and creatives of our time. With sustained organization, it can be a blueprint.