Opinion
A Brief Lesson on Media Bias and Palestine
The ways in which media has abstracted the violence in Gaza brought back to mind an experience I had with an editor in 2014, when I tried writing about the Oakland-Palestine Solidarity Mural.
Opinion
The ways in which media has abstracted the violence in Gaza brought back to mind an experience I had with an editor in 2014, when I tried writing about the Oakland-Palestine Solidarity Mural.
Opinion
A historian of early Christianity with a specialty in religious dress considers how the Metropolitan Museum's recent gala and new Costume Institute exhibition might align with or offend early Christian sensibilities.
Opinion
As if things weren't bad enough, the new logo for Melania Trump's initiative was reportedly designed by the FLOTUS herself.
Opinion
The publication’s board is scheduling an event at an establishment boycotted by a long list of grass-roots organizations in Boyle Heights.
Opinion
Locals like me don't visit the Berkshire Museum to look at famous paintings. Why did 40 artworks become the center of a national controversy?
Opinion
In one scene, the blockbuster superhero movie touches on issues of provenance, repatriation, diversity, representation, and other debates currently shaping institutional practices.
Opinion
Like other examples of corporate feminism, the upside-down Golden Arches are a filling but nutrient-poor serving of feminist art.
Opinion
In 2012, a remarkable artifact appeared on eBay — and my research into its origins raised troubling questions.
Opinion
A troubling cartoon in the Albuquerque Journal takes the perspective of the surveillance state, when it ought to examine the state itself.
Opinion
Challenging art is essential for sparking difficult conversations, but two museum directors — both women — have recently stepped down after championing politically engaged programming.
Opinion
In defending Koons's giant "Bouquet of Tulips" sculpture for Paris, two art dealers working on the project expose its many flaws.
Opinion
Trying to label the border wall prototypes as Land Art (and Trump and the American people as engaged in a collaborative artwork) artist Christoph Büchel raises some unpleasant questions.