Opinion
When I heard that the Boston MFA was launching a dress-up social media campaign called "Kimono Wednesdays" based on a painting by Claude Monet, that a group of young Asian American protesters asked them to stop, that the MFA did and apologized, I thought it was an open and shut case.
Opinion
Last week, Sinead O’Connor recently declared that music has died. What do we mean when we say that something, as opposed to someone has died?
Opinion
Cady Noland has reportedly stirred up a kerfuffle around the sale of her work to a major collector.
Opinion
This week, Eid cards, a mysterious "Chicken Church," Cosby and Smithsonian, the best Dutch galleries in the US, an architect talks about the perfect sandcastle, and more.
Opinion
Last Sunday, Pope Francis wound up his eight-day, three-country tour of Latin America —home to the world’s largest Catholic population — where he called unfettered capitalism “the dung of the devil.”
Opinion
This week the ongoing legal feud between the Danish-Vietnamese artist Danh Vō and the Dutch collector Bert Kreuk took another turn toward infantile name-calling.
Opinion
The Boston Museum of Fine Arts recently cancelled an event they had called “Kimono Wednesdays,” that, according to the museum, sought to engage people by arranging enhanced encounters with works of art.
Opinion
When the news hit that experimental filmmaker Joe Gibbons was arrested for bank robbery in New York this past January, my first reaction was a gut one.
Opinion
Given the Studio Museum’s unique position in the city’s arts and culture landscape, this rebuild, the first since the museum took up residence in its current space in 1982, seems to indeed be a cause to celebrate.
Opinion
This week, the myths of an affordable LA, a church made of trees, gay lit, US sanctions and Iranian artists, decolonizing African art, and more.
Opinion
This week: the Chinese stock market fell way down, the New York Stock Exchange computer systems went down for nearly four hours, and South Carolina took down the Confederate flag.
Opinion
Monya Rowe started her space not with a degree in curating or art history but by selling her eggs to a fertility clinic and through experience in gallery settings.