Opinion
“It’s all about the cats,” Ai Weiwei said recently, sitting in his Beijing compound in conversation with a writer for a new feline-themed magazine called Puss Puss. “They stay here, some have babies here, but it’s their home and really an oasis for us.”
Opinion
Not sure if this ever raised money for charity.
Opinion
This week, war photography and pop culture, breaking up the major museums, Hello Kitty is not a cat, video game sexism, criminalizing science, and more.
Opinion
This week, another Brooklyn Bridge breach, this time not for the sake of art, but a selfie.
Opinion
Thanks for watching our daylong stream of videos from across the internet.
Opinion
Artist Michelle Handelman has taken the epic 7-hour film Les Vampires about a bizarre underground criminal gang and transformed into "Irma Vep, The Last Breath," a video project that is about "living in the shadows, criminal anxiety and the relationship between the artist and her creation, both fict
Opinion
Commissioned by former Iraqi leader Saddam Hussein, the songs in Adel Abidin's "Three Love Songs" (2010) are transformed into sinister pop music videos that use attractive blonde women as conduits for the fallen dictator's propaganda.
Opinion
Last month, German filmmaker and artist Harun Farocki died at the age of 70. Farocki made films that were unabashedly political yet remarkably reserved.
Opinion
In the 1980s, the dream of going pop — as in pop culture rather than Pop art — in the art wold was raging strong, and many people thought it practically imminent.
Opinion
One of my favorite pieces included in Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem earlier this year was Adam Pendleton's "Lorraine O'Grady: A Portrait" (2012).
Opinion
Why do we make art? Why does anyone create anything?
Opinion
On Wednesday, artist Jayson Musson tweeted "lol this performance art scene in She's All That is better than real performance art," and his 84 characters opened the flood gates of memory for me.