The first painting I saw in 2016 was “Cockman Always Rises Orange” (2015): we can’t say we weren’t warned.
Otto Piene
Posted inArt
When a Splotch Isn’t Just a Splotch
This two-gallery extravaganza takes up the tricky gambit of featuring “artists whose work involves a methodical and controlled process of creating seemingly freeform or random daubs and spots.”
Posted inArt
Firestarter: Otto Piene’s Elemental Art
The victors and the vanquished approached the development of avant-garde art in the aftermath of World War II in markedly different ways.
