News
Crimes of the Art
On this week’s art crime blotter: a trucker took down an Antony Gormley statue, vandals hammered a shiny public sculpture, and a Swiss dealer got in trouble for selling stolen Picassos to a Russian billionaire.
News
On this week’s art crime blotter: a trucker took down an Antony Gormley statue, vandals hammered a shiny public sculpture, and a Swiss dealer got in trouble for selling stolen Picassos to a Russian billionaire.
Art
Estimated number of Picasso artworks that have been stolen = 1,147
Art
It's hard to get excited for another Pablo Picasso exhibition. He is, after all, the Steven Spielberg of European modernism — flashy, prolific, proficient at a vast range of genres, and overrepresented in the mainstream cultural canon.
News
On this week’s art crime blotter: A €25-million Picasso painting is seized aboard a superyacht, the designer of the Tokyo 2020 Olympic Games logo is accused of plagiarism, and a hitchhiking robot is destroyed.
Opinion
How did Pablo Picasso celebrate his 80th birthday?
Art
Life Lines: Portrait Drawings from Dürer to Picasso at the Morgan Library & Museum may not venture very far beyond canonical European artists, but it uncovers richness and diversity within a circumscribed field, especially in the work of its two anchors, Albrecht Dürer and Pablo Picasso.
Art
A new series of maps created by howmuch.net attempts to look at art valuation based on country of origin.
Art
BEAUVAIS, FRANCE — This spring the Musée de l’Oise (MUDO) in Beauvais has helped an artist make his way toward the light, only after eight decades of dark oblivion.
In Brief
Apparently the price paid for Picasso's "Women of Algiers" (1955) on Monday is not the most obscene thing about it.
News
On this week’s art crime blotter: Jonathan Meese acquitted in Nazi salute dispute, Picasso works disappear in transit, and Charles Saatchi sues Saatchi Art for Saatchi name.
Art
Ten years ago, the Morgan Library & Museum decided it was time to bring its collection up to speed on the art of drawing in the 20th and 21st centuries — a daunting task in itself, and even more improbable in the face of a superheated, late-capitalist art market: at the feast of the trophy-eaters, w
Art
Gagosian has done it again: produced another museum-quality show, this one devoted to images of artists’ studios, as recorded in photographs (on view at its uptown gallery) and in paintings (installed at West 21st Street).