The National Institute for Anthropology and History in Mexico says 30 objects in the sale belong to the country’s national patrimony, and three others are fake.
“We don’t have a choice, the building is suffering,” said Serge Lasvignes, the museum’s president, of the €200 million renovation.
At the Palais de Tokyo, mounting an exhibition loosely about infection, during a pandemic, presents its challenges.
The killing happened amid controversial trials of suspected accomplices in the deadly attack on Charlie Hebdo’s Paris headquarters in 2015.
Four activists were fined for their live-streamed protest at the Paris museum, in which Mwazulu Diyabanza removed a 19th-century funerary post from its display.
Members of a Pan-African group stood trial in Paris on charges of attempted theft for an action staged at the city’s Quai Branly Museum.
The intriguing exhibition Parisian Exodus demonstrates the importance of documenting such moments of upheaval with nuance.
Tanner avoided the cameras for much of his life, but a new documentary on Black American creatives who moved to France finds candid home movie footage of him.
Coinciding with today’s trial for the alleged accomplices in the 2015 terrorist attack which killed 11 employees, the satirical paper reprinted the drawings.
The show at the Pompidou Center demonstrates that the artists’ reputation as “ephemeral architects” or “temporary monument” makers is incomplete, if not altogether incorrect.
Alternately funny, melancholic, erotic, and political, the Moroccan artist’s Bedworks series offers compassionate images of men blissfully enjoying themselves.
At the Palais de Tokyo, Our World is Burning allows 30 artists to express the dream and necessity of a sustainable future in an egalitarian world.