In March, Chang put out an open call for our fears and made a video out of them. Watching it eight months later, I hoped it would help name whatever it was I was feeling.
The debut exhibition at New Mexico State University explores the nuances of labor — in birth, in childrearing, and in intergenerational collaboration.
Since the pandemic and lockdown, Chang has decided to recirculate a survey she’s been working on since 2019.
Patty Chang’s ecological art struggles with its own fatalism.
MIAMI — The exhibition of over 100 women artists currently on view at the Rubell Family Collection is difficult to review because the works do not all fit into the space and the decision was made to rotate them over the course of the show.
In the opening moments of the film, Flotsam Jetsam (2007) by Patty Chang and David Kelley, currently playing at the Museum of Modern Art, New York, a bridge-like structure is seen in the distance, partially traversing what seems to be a wide river.
BERKELEY, Calif. — Alicia Eler’s recent Hyperallergic post “Searching for the Switzerland of India” raises a host of issues regarding the colonial legacies at play in modern India without dissecting any of them.
apexart presents: “You can’t get there from here but you can get here from there” (YCGTFH), a new show curated by Courtenay Finn and featuring work by: Sophie Calle, Patty Chang, Rodney Graham, Joachim Koester, Kris Martin, Bruce Nauman, and Allen Ruppersberg. It opens today — Wednesday, September 15 (6-8pm).