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Hyperallergic

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Pedro Costa

Posted inFilm

Pedro Costa on Vitalina Varela and the Importance of “Everything That Goes Unsaid”

Avatar photo by Dan Schindel February 21, 2020February 25, 2020

Hyperallergic spoke with the prolific Portuguese director about his distinct approach: “I tend to have this obsession with a balance between what’s in front of and behind the camera.”

Posted inArt

The Best Films of the Decade

Avatar photo by Hyperallergic December 23, 2019June 29, 2020

The landscape of cinema has changed immeasurably in just 10 years. These 25 picks show how.

Posted inFilm

Two (or Three or Four) Sides of the Same Story: The Films of Pedro Costa

by Jake Cole October 2, 2019October 2, 2019

Costa’s seventh feature, Vitalina Varela, is the latest in a filmography that consistently builds on its predecessors both thematically and stylistically, telling and retelling connected stories through different points of view. 

Posted inArt

Haunted by the Present: Pedro Costa’s ‘Horse Money’

by Daniel Witkin July 25, 2015July 30, 2015

The history that underlies and often possesses Pedro Costa’s Horse Money, the final entry in the director’s Fontainhas tetralogy, is almost ironic – more than two decades in, Costa’s project has outlived its subject, the titular Lisbon slum now demolished by the Portuguese authorities.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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