It seems to me that Soutine’s complete lack of interest in the cubists’ desire for order was exactly what appealed to de Kooning.
Workers are charging the museum’s leadership with “obstructing the free and fair election process through anti-union activity.”
In Vaughn’s hands, “success” takes shape as a parade of etiquette, competition, and power.
The museum has not yet addressed demands to terminate the curator who was in charge of the remains.
Janet Monge used the victim’s remains in an online course titled “Real Bones: Adventures in Forensic Anthropology.”
The bones of Black Philadelphians killed in the 1985 airstrike have been kept at the museum for decades.
Students and activists have urged the museum at UPenn to abolish the Morton Collection and end use of data sourced from it.
Philadelphia activists accuse the museum of lack of transparency in its proceedings to repatriate the crania.
In this annual show, works by Tyler graduate students find thematic common ground after an unprecedented year of societal, personal, and academic challenges.
Jane Irish’s work offers an archive of painterly traditions juxtaposed with horrific acts of violence driven by the moneyed class.
Can non-representational art reflect social change?
Applications are open for the upcoming summer and fall semesters, with fellowship opportunities still available.