Art
Monet Clark’s current exhibition at Krowswork Gallery represents the first solo showing of 20 years worth of performance and video work in which her own body and life experiences serve as subject matter. Images of Clark as the ideal “California Girl” are juxtaposed with documentation of the deterior
Opinion
The debate surrounding performance art and the rights of artists has started to grow past the original controversy initiated by Marina Abramović’s gala performance for LA MOCA earlier this month. Now, three reperformers who took part in MoMA's Marina Abramović: The Artist is Present retrospective la
Opinion
We now know the identity of the artist who initially wrote Yvonne Rainer to complain of the conditions of the Marina Abramović performance during the LA MOCA gala. In a letter titled "Open Letter to Artists" published by the Performance Club, performer Sara Wookey explains her motivate for initially
Opinion
Memo to self. If I work as an independent contractor at a market research consulting firm and we get contracts from the city's billionaire mayor, then maybe I shouldn't pretend to be his press secretary to the media. Why the memo? Because this happened [http://www.observer.com/2011/11/performance-ar
Art
“Would you like to see the birth?” Elle Burchill from Microscope Gallery casually offered me a spot on the list of people who would be notified of the birth of Baby X. The night of the opening of the exhibition and performance The Birth of Baby X was pretty cold. Despite the media attention that fol
Art
LOS ANGELES — October marked the beginning of the Pacific Standard Time onslaught, a collaboration between 60 institutions to commemorate and celebrate the birth of the Los Angeles art scene from 1945 to 1980. LA Contemporary Exhibitions (LACE) is among a host of venues invested in translating the p
Performance
Tuesday night's premiere of Michael Elmgreen and Ingar Dragset's "Happy Days in the Art World" at NYU's Skirball Center for the Performing Arts kicked off this year's Performa "new visual art performance biennial." A commissioned work, the piece was clearly a work of theatre and not performance art,
Art
There I was, sitting in a rocking chair at the Microscope Gallery in Bushwick but I felt like I was visiting a friend in her own home and we were just sitting around bullshitting. No, it wasn’t one of those snobby holier-than-thou art shacks in Manhattan. It was Marni Kotak’s show, The Birth of Baby
Art
I ran to Times Square this morning to catch a glimpse of artist Zefrey Throwell's latest incarnation of his performance series, Midtown Games, but a missed subway connection which delayed my arrival a few minutes making me late to witness the artistic/athletic spectacle. Luckily, I tracked down Thro
![Psst, Pass It On … Flashmob Tonight at New Museum [UPDATE 3]](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/size/w600/hyperallergic-newspack-s3-amazonaws-com/uploads/2011/09/perfect-match-home.jpg)
News
A little birdy told us that there's a flashmob brewing tonight at the New Museum called "The Perfect Match." We're not sure of the details yet but we hear it will have quite an ending! Stay tuned as we find out more. UPDATE: We hear through the grapevine that the New Museum is doing everything possi
Interview
Has she no decency? At long last, has she no decency? The transgressive, titillating performance artist Karen Finley was denied a grant from the National Endowment for the Arts in 1990 because the language and content in her work was deemed “indecent.” Along with three other artists she became part
Art
“Something I Guarantee You’ve Never Done Before” was the title of the Facebook invitation I got. “Hmm.” I thought. The invitation was somewhat secretive, but the link that was provided confirmed what I suspected. Being somewhat familiar with Olek’s work from some of the press she’s gotten, I knew it