Starting today, artist Nate Hill will be performing his newest piece, “Punch Me Panda” (2010) at #TheSocialGraph. If you are in Brooklyn, you can text (347-742-2293) or tweet Hill (@natexhill) to come to your home, where you can punch him for one penny. This is the first-time the artist has performed in the context of a gallery show and a rare opportunity to see “Punch Me Panda” in his natural habitat.
Chinese blogger Mélanie Wang has a report — with graphic photos — of an October 10th performance by artist He Yunchang (Ah Chang) where he executed his new work “One Meter Democracy” at Cao Chang Di in Beijing.
Wang describes the performance and its premise: “At the beginning, he presented his proposal … he would cut a wound on the right side of his body all the way from the clavicle down to below his knee; a wound one-meter long and 0.5-1cm deep. The whole process would be executed under the assistance of a medical doctor, yet without anesthesia.”
Nate Hill is at a crossroads. After a series of performances steeped in childhood imagery, he’s ready for something new. For an artist his age it’s amazing that he’s already become the subject of posts on Gawker, Time Out NY and other mainstream blogs, an article filled with anger in the Daily News, and never mind the general snarkiness of online citizens (he accused me of being one of those). Yet, Hill feels that Mr. Dropout, his new performance, is about turning a page. Starting a few weeks ago, Hill has been walking the length of Manhattan via Broadway wearing all white, including a gauze veil tucked into a white balaclava.
Video games appear to be making oddly pervasive cameos across fields as varied as architecture, art, cinema, criticism, and now theater. Theater of the Arcade: Five Classic Video Games Adapted for the Stage is exactly that, a series of five plays that Jeff Lewonczyk wrote and Gyda Arber directed at the Brick Theater in Williamsburg through July 25.
The premise of Theater of the Arcade is to take the characters from an iconic video game — let’s say “Frogger” — and insert those characters into a world that operates according to the logic and stage vernacular of an equally iconic 20th century dramatist — let’s say Samuel Beckett à la Godot …
Brent Burket (aka Heart as Arena) has a report on artist Dread Scott’s “Money to Burn” performance in front of the New York Stock Exchange on Tuesday … it included a lighter, US currency, cops, and confused tourists …
Some thoughts about last night’s liveblogging experiment at English Kills art gallery and high quality photos from each of the performances.
I’m liveblogging Maximum Perception Performance Performance Festival tonight and you’re along for the ride.
So far, we’ve traveled from a Catholic school to African tunes to an auction to free bouncy rides to a man in his underwear getting text messages from the audience … and more ….