Performance
Making Art in Apocalyptic Times
An event at JACK presented five performances dealing with what it means to make art in an age of crisis.
Performance
An event at JACK presented five performances dealing with what it means to make art in an age of crisis.
Performance
Indecent, by Paula Vogel and Rebecca Taichman, presents Sholem Asch's God of Vengeance as a triumphant, defiant showcase of queer love far ahead of its time.
Performance
A show at 3-Legged Dog relies on the premise that the patient — the nation — is so ill, the most barbaric form of intervention is necessary: bloodletting.
Performance
The Drum Major Instinct, a performance of Dr. Martin Luther King Jr.'s final sermon, sought to evoke that feeling of being in church on a Sunday morning.
Performance
H.T. Darling's Incredible Musaeum in Baltimore's 1814 Peale Museum, the first built museum in the United States, offers visitors a complex narrative of time travel and colonialism.
Performance
Aynsley Vandenbroucke has been exploring the relation of literary formalism to the human body in a way few writers, if any, are doing.
Performance
Chess Match No. 5, a play composed from excerpts of John Cage interviews, reprises canonical questions about the nature of music and art but adds no new insights.
Performance
Performatik17, the 17th Brussels Biennial of Performance Art, is either the dream of someone seeking an expanded field or the nightmare of someone craving rigid borders.
Performance
In 887, theater artist Robert Lepage recounts his childhood in Quebec City during the escalation of the separatist movement.
Performance
In my many years of attending poetry readings, I’ve never encountered a performance technique quite like Greaves’ revisions.
Performance
Here is a new series of immersive theater experiences in New York that will link an evolving web of characters and storylines propelled by loss.
Performance
Labyrinth Theater Company’s Dolphins and Sharks centers on the necessity of wage labor and the human relations our system engenders.