Performance
Drag Ballerinas Spin Gender Roles into Farce
Les Ballets Trockadero de Monte Carlo satirizes the clichéd gender conventions of dance, and the world at large, in technically superb takes on classical ballet.
Performance
Les Ballets Trockadero de Monte Carlo satirizes the clichéd gender conventions of dance, and the world at large, in technically superb takes on classical ballet.
Performance
L’Amour de Loin, by the Finnish composer Kaija Saariaho, receives a dazzling production that sets the self-aware tale of unrequited love on a flickering sea of LED lights.
Art
At Japan Society, Simon Starling reinterprets a one-act play by W. B. Yeats in which Japanese Noh theater met European modernism.
Performance
As the dark night of winter approaches, Reverend Billy is issuing a call to creative arms.
Performance
The beating heart of My Brother’s a Keeper, performed at the Bronx Academy of Arts and Dance, is an interlude at a bus stop when two characters let go of verbal language.
Performance
For more than twenty years, the French choreographer has pioneered a kind of dance that highlights the biography and particularity of the performer.
Performance
It doesn’t feel right to call Plexus either a dance or a spectacle.
Performance
A Host of People's new production reconceives the 1977 effort to create a phonograph record that would communicate the story of life on Earth to extraterrestrials.
Performance
In a musical and dance performance, a multilingual cast explores the polyphony of Brooklyn through language and movement.
Performance
With its task-based script, Request Concert may remind some of Chantal Akerman's 1975 film Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles, tightly shot inside a small apartment. The pairing of everyday housework with suicide might also call to mind Marsha Norman's 1983 play 'Night Mother.
Performance
A new dance work based on material by the choreographer John Bernd, who died of AIDS-related complications in 1988 at age 35, is the centerpiece of Danspace Project's annual Platform series.
Performance
Curated by Eva Yaa Asantewaa, the dance piece the skeleton architecture, or the future of our worlds incorporated structured improvisation, a deep sense of play, a bold engagement with the audience, and a particular permission given to watch and witness.