Performance
E Is for Edward Gorey, Whose Biographical Play Was Embellished
GOREY: The Secret Lives of Edward Gorey presents its subject as a closeted, mostly rebuffed gay man resigned to his solitude. In the process, it sells him short.
Performance
Performance
Drag Ballerinas Spin Gender Roles into Farce
Les Ballets Trockadero de Monte Carlo satirizes the clichéd gender conventions of dance, and the world at large, in technically superb takes on classical ballet.
Performance
A Scintillating Opera Is the Met's First by a Female Composer in 113 Years
L’Amour de Loin, by the Finnish composer Kaija Saariaho, receives a dazzling production that sets the self-aware tale of unrequited love on a flickering sea of LED lights.
Art
Reinterpreting W. B. Yeats's 1916 Experiment with Japanese Noh Theater
At Japan Society, Simon Starling reinterprets a one-act play by W. B. Yeats in which Japanese Noh theater met European modernism.
Performance
A Performance Troupe Takes on Immigration, Monsanto, and Standing Rock
As the dark night of winter approaches, Reverend Billy is issuing a call to creative arms.
Performance
A Play Touches on the Power of Touch
The beating heart of My Brother’s a Keeper, performed at the Bronx Academy of Arts and Dance, is an interlude at a bus stop when two characters let go of verbal language.
Performance
Conceptual Dance Lite: Jérôme Bel's Elemental Choreography
For more than twenty years, the French choreographer has pioneered a kind of dance that highlights the biography and particularity of the performer.
Performance
A Dancer Finds Freedom in a Forest of Wires
It doesn’t feel right to call Plexus either a dance or a spectacle.
Performance
A Theatrical Release Party for a Reimagined Golden Record
A Host of People's new production reconceives the 1977 effort to create a phonograph record that would communicate the story of life on Earth to extraterrestrials.
Performance
A Dance that Moves to the Many Tongues of Brooklyn
In a musical and dance performance, a multilingual cast explores the polyphony of Brooklyn through language and movement.
Performance
Home Alone, With a Few Pills: Franz Xaver Kroetz's 'Request Concert'
With its task-based script, Request Concert may remind some of Chantal Akerman's 1975 film Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles, tightly shot inside a small apartment. The pairing of everyday housework with suicide might also call to mind Marsha Norman's 1983 play 'Night Mother.
Performance
Remembering and Reframing the Legacy of a Choreographer Lost to AIDS
A new dance work based on material by the choreographer John Bernd, who died of AIDS-related complications in 1988 at age 35, is the centerpiece of Danspace Project's annual Platform series.