These plays depict a reality that seems familiar and plausible yet feels dreamlike, monumental, and mythical.
Rico Monkeon’s “Gifaanisqatsi” uses the score from the classic documentary Koyaanisqatsi and random GIFs to generate mesmerizing custom montages.
Koyanisqaatsi, a debut collaboration between filmmaker Godfrey Reggio and composer Philip Glass, broke ground in so many ways in the 1980’s for exploring film as a poetic, rather than narrative or theatrical expression. Over ten years later, Reggio and Glass have come together to produce Visitors, another moving poem, at once visual and musical, without words or a clear narrative.
PARIS — I was lucky enough, and I am old enough, to have been in the audience of Philip Glass and Robert Wilson’s Einstein on the Beach in 1976 at the Metropolitan Opera House in New York, and then again at The Brooklyn Academy of Music in 1984.
There’s a moment in your first life-drawing class where your perception shifts and you start looking at the naked body in front of you differently. At least that was my experience. Instead of feeling uncomfortable with the nudity or paying attention to judgments and assumptions about the person in front of me, I started to look at the lines and curves of their body, the connections between joints, colors, and textures.
Of all the celebrations honoring Philip Glass on his 75th birthday, the exhibition Robert Wilson/Philip Glass: Einstein on the Beach at the Morgan Library & Museum is probably the most modest, but it is one of the most magical. It is also arguably the most in keeping with the stripped-down aesthetic that gave birth to Glass’ musical minimalism and Wilson’s experiments in durational theater.
Philip Glass, Laurie Anderson and Lou Reed joined last night’s Occupy Museums demonstration at Lincoln Center, held to coincide with the final performance of Glass’s Satyagraha at the Metropolitan Opera.
Richard Serra may be best known for his curving steel wall sculptures, but his earlier works erred even more on the side of conceptually abstract. The artist’s 1967 “Verb List Compilation: Actions to Relate to Oneself” kicked off a body of work in which a single verb directly translated into art. Check out “Hands Scraping” (1968) above.