News
Philip Johnson's grandiose pavilion for the 1964 World's Fair wasn't the only skeleton exhumed from his past today. The first public viewing of the pavilion in 27 years was followed by the release online of the renowned architect's FBI file by the Paleofuture blog.
Art
The public was invited inside a New York City architectural monument today for a view that has been off-limits for 27 years. The New York State Pavilion, designed by Philip Johnson, was open for just a few hours this afternoon.
Art
The 1964 New York World's Fair was meant to be an idealistic vision of the future propelled by technology and design, but 50 years later the pavilion created to showcase the best of the state of New York is its most visible ruin.
Art
FORT WORTH, Texas —Some Modernist landscapes are so futuristic, so weirdly alien in their urban surroundings, they look like sets for a sci-fi movie. In the case of the "Fort Worth Water Gardens" designed by Philip Johnson with partner John Burgee, the immense shapes of concrete that rise up topogra
Opinion
I think I've admitted this before on Hyperallergic, but I love auctions, they are a guilty pleasure. Not the big ticket auctions that grab all the headlines but the ones where it is still possible to find real treasures.
Opinion
A good segment by The Glass House invites 1980s art superstar David Salle to the compound in New Canaan, Connecticut to explain how his works got into Philip Johnson's collection.
Opinion
Philip Johnson's Glass House has become a symbol of 20th C. American architecture. Here artist Frank Stella, who was a friend of Johnson, revisits the estate and talks about the elder statesman of American architecture and the uniqueness of the site.
Test Older Posts
Next month, the very first sunken conversation pit will open to the public as a museum. The Indianapolis Museum of Art plans to open a private residence designed by Eero Saarinen for industrialist J. Irwin Miller as a design and architecture showcase, featuring interiors (and the conversation pit) b
Art
This is an artist’s essay that explores some of the ideas put forward in Powers’ three-part essay, “Art, Not Suicide,” published earlier this week. -Ed. Note