Art
Phyllida Barlow’s Irreverent Objects
The late British artist certainly had no sympathy for the idea — or perhaps the misplaced ideal — of the perfectly crafted sculptural object.
Art
The late British artist certainly had no sympathy for the idea — or perhaps the misplaced ideal — of the perfectly crafted sculptural object.
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The British sculptor found international acclaim in the early 2010s after retiring from a successful teaching career.
Art
In attempting to convey atrocities that confound language, artist Phyllida Barlow comes up against a paradox with no easy resolution.
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The creation and interpretation of art remains an anchor and a refuge, a sanctuary for vanishing ideals.
Art
Barlow’s sculptures may be abstract, but they feel rife with heads, teeth, legs, and orifices of every stripe.
Art
As my colleague Thomas Micchelli pointed out in his review of siege, Phyllida Barlow’s exhibition of sculpture at the New Museum earlier this year, she has something in common with Hans Hoffman. Both were teachers who have an impressive roster of distinguished students. In Hoffmann’s case, it includ
Art
Phyllida Barlow’s installation at the New Museum, siege, doesn’t waste any time telling you who’s boss. Post-industrial, post-modern — post-everything but post-sculptural — it all but pushes you back inside the elevator.