The uncanny painting by artist Jamie Coreth has prompted speculations of a Dorian Gray-style bargain and drawn comparisons to Madame Tussauds’s wax figures.
Portraiture
Posted inArt
An Artist’s Opiate Addiction Recovery Through Photography
For New Mexico-based artist Frank Blazquez, portraiture was the way out of a crippling opiate addiction.
Posted inArt
The Calligraphic Character of Holbein’s Portraits
An exhibition at the Getty unleashes the dynamic character of Holbein’s portraits in ways I’ve never seen before.
Posted inArt
Caught in the Embrace of Shizu Saldamando’s Portraits
Saldamando portrays people isolated at home, waiting out a public health crisis.
Posted inArt
Self-Portrait as Future
When looking at images from the golden age of Sudanese photography, I was reminded to listen as much as look.
Posted inArt
Looking at Kehinde Wiley and Thomas Gainsborough Side by Side
It is perhaps no surprise that Wiley’s oeuvre is a favorite among curators seeking to inject new relevance into their collection of European masters.
Posted inArt
rafa esparza’s Lovingly Collaborative Portraits of Artists and Friends
rafa esparaza’s paintings insist upon the rightful presence of brown, Black, and queer bodies in the white cube of the gallery.
Posted inArt
Six Black Artists Test the Limits of Portraiture
“The Black Index” at UC Irvine pursues knottier narratives of self-representation.
Posted inArt
Who Should Create Trump’s Doomed Presidential Portrait?
Hyperallergic has a few suggestions.
Posted inArt
Painting a Portrait Is “Like Falling in Love,” Says Jiab Prachakul
Prachakul paints friends and acquaintances who, like the artist, are part of the Asian diaspora.
Posted inArt
Some Thoughts About England’s Obsession With Portraits
With the possible exception of Howard Hodgkin, not a single English abstract artist has attained anything comparable to the status achieved by Lucien Freud or David Hockney.
Posted inHistory
How Scientists Use and Abuse Portraiture
Many scientific studies assume that the features of painted faces are the facts of the flesh-and-blood countenances to which they refer. This assumption is not only false; it is preposterous.