It is perhaps no surprise that Wiley’s oeuvre is a favorite among curators seeking to inject new relevance into their collection of European masters.
Portraiture
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rafa esparza’s Lovingly Collaborative Portraits of Artists and Friends
rafa esparaza’s paintings insist upon the rightful presence of brown, Black, and queer bodies in the white cube of the gallery.
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Six Black Artists Test the Limits of Portraiture
“The Black Index” at UC Irvine pursues knottier narratives of self-representation.
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Who Should Create Trump’s Doomed Presidential Portrait?
Hyperallergic has a few suggestions.
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Painting a Portrait Is “Like Falling in Love,” Says Jiab Prachakul
Prachakul paints friends and acquaintances who, like the artist, are part of the Asian diaspora.
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Some Thoughts About England’s Obsession With Portraits
With the possible exception of Howard Hodgkin, not a single English abstract artist has attained anything comparable to the status achieved by Lucien Freud or David Hockney.
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How Scientists Use and Abuse Portraiture
Many scientific studies assume that the features of painted faces are the facts of the flesh-and-blood countenances to which they refer. This assumption is not only false; it is preposterous.
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How Do You Paint Portraiture Without a Portrait?
By negating the figure, Amir H. Fallah expands the limits of portraiture to make space for multiple interpretations.
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Artists and Scholars Join to Discuss the Creation of Black Visual Archives
The free-to-attend Black Portraiture[s] conference will focus on the creation of visual archives in the context of landmark moments in Black history.
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Portraits that Feel Like Chance Encounters and Hazy Recollections
Nathaniel Quinn’s first museum solo show features work which suggests that reality might best be recognized by its disjunctions rather than by single-point perspective.
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The Enabler
If measured as a flame to kindling, John D. Graham was arguably the most consequential figure in 20th-century American art.
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How van Dyck Laid the Foundation of Modern Portraiture
Van Dyck: The Anatomy of Portraiture, currently at the Frick Collection, provides a window onto how the premier Baroque portrait style came together in the busy studio of a gifted, if short-lived, painter.