Her work brilliantly reframes age-old storylines from a Persian cookbook as modern allegories for female liberation.
Print Center New York is debuting its pilot Spotlight initiative with a pop-up showcase of editions by Leslie Diuguid of Brooklyn’s Du-Good Press.
Translating text into visual forms, Lynne Avadenka creates meditative dialogues that transcend time.
Carried Impressions: Lithographs and Monoprints from the 1960s doesn’t demand the spotlight, but it’s ripe for exploration.
The Albuquerque studio Risolana wants to “cultivate an artmaking space as accessible as the risograph itself.”
Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.
When prints are exhibited, the printer is generally not credited as co-creator of the work and often the print publisher or workshop is not named.
A small lithography school in the Chilean island is yielding marvelously intricate works, but needs support to restock dwindling supplies.
An exhibition at the National Gallery of Art will trace the technique’s development through Europe, starting in the late 1700s.
“Manhattan is my easel,” said Austin Thomas.
Ruth Asawa, Anni Albers, and others first experimented with printmaking at June Wayne’s Tamarind Lithography Workshop.
The three-day event includes tips on how to photograph your art, workshops on stencil-making, and much more.