• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Printmaking

Posted inArt

New Mexico’s First Risograph Studio Is All About Community

by Bethany Tabor April 26, 2022April 26, 2022

The Albuquerque studio Risolana wants to “cultivate an artmaking space as accessible as the risograph itself.”

Posted inArt

In the Chicano Movement, Printmaking and Politics Converged

by Lauren Moya Ford April 17, 2022April 15, 2022

Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.

Posted inArt

Shining a Light on the Art of the Printmaker

by Nancy Zastudil April 4, 2022April 5, 2022

When prints are exhibited, the printer is generally not credited as co-creator of the work and often the print publisher or workshop is not named.

Posted inNews

Fundraiser Seeks to Support Chiloé Island’s Only Print Studio

by Valentina Di Liscia March 28, 2022March 28, 2022

A small lithography school in the Chilean island is yielding marvelously intricate works, but needs support to restock dwindling supplies.

Posted inArt

A Survey of Aquatint Prints Throughout History, From François Boucher to Goya

by Sarah Rose Sharp September 23, 2021September 24, 2021

An exhibition at the National Gallery of Art will trace the technique’s development through Europe, starting in the late 1700s.

Posted inArt

A Printmaker Memorializes New York City’s Architecture

by Clayton Schuster August 8, 2021August 6, 2021

“Manhattan is my easel,” said Austin Thomas.

Posted inArt

How an LA Printmaking Workshop Advanced the Career of Women Artists

by Jordan Karney Chaim April 4, 2021April 2, 2021

Ruth Asawa, Anni Albers, and others first experimented with printmaking at June Wayne’s Tamarind Lithography Workshop.

Posted inArt

Make Prints and Get Feedback at This Virtual Printmaking Summit

by Elisa Wouk Almino March 3, 2021March 3, 2021

The three-day event includes tips on how to photograph your art, workshops on stencil-making, and much more.

Posted inArt

How Leo Steinberg Saw the Profound Importance of Prints Before Most

by Lauren Moya Ford February 15, 2021February 19, 2021

“If you’re going to do art history,” Steinberg declared, “you’d better know what your artists were looking at. And that has to include prints.”

Posted inBooks

How Women Helped Revolutionize the Art of Printmaking

by Joanne B. Mulcahy May 1, 2020April 30, 2020

A new book examines the collective Atelier 17, whose members redefined beliefs about gender identity and artistic achievement in the 1940s and ’50s.

Posted inArt

Shaking Up Op Art

by John Yau February 22, 2020February 21, 2020

Takuji Hamanaka’s works seem to have been made by a mason who lives in a heightened state of consciousness.

Posted inArt

A Fresh Direction for Printmaking

by John Yau November 30, 2019

Sarah Amos’s work may be labor-intensive, yet it conveys neither labor nor the consumption of time, but a meditative joy.

Posts navigation

1 2 3 Older posts

Popular

  • They Tried to Make a Sexy Movie About the Eiffel Tower Engineer
  • On Kandinsky’s Spiritual Relationship With Music 
  • Who Discovered Eva Hesse?
  • Ruben Östlund Satirizes the Lives of the Mega-Rich in Triangle of Sadness
  • Willie Cole Recycles Musical Instruments Into Outstanding Sculptures
Sponsored
  • Black Mountain College Artist Jo Sandman Celebrated With Solo Exhibition and Catalogue
  • Call for Applications: $90,000 Fellowship for New Americans Pursuing Graduate School
  • Hyundai Motor Group Launches the Fifth VH AWARD for Emerging Asian Media Artists
  • Stanford Arts Hosts a Virtual Conversation With Amy Sherald and Calida Rawles
  • A Pathway Through Modern & Contemporary Armenian Art Dives Into an Often Overlooked History
  • Apply for the MFA Program in Book Arts & Printmaking at University of the Arts
  • National Museum of Asian Art Presents Revealing Krishna: Journey to Cambodia’s Sacred Mountain
  • Rhode Island School of Design Presents Grad Show 2022
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2022 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy