Translating text into visual forms, Lynne Avadenka creates meditative dialogues that transcend time.
Modest Perspectives on Printmaking
Carried Impressions: Lithographs and Monoprints from the 1960s doesn’t demand the spotlight, but it’s ripe for exploration.
New Mexico’s First Risograph Studio Is All About Community
The Albuquerque studio Risolana wants to “cultivate an artmaking space as accessible as the risograph itself.”
In the Chicano Movement, Printmaking and Politics Converged
Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.
Shining a Light on the Art of the Printmaker
When prints are exhibited, the printer is generally not credited as co-creator of the work and often the print publisher or workshop is not named.
Fundraiser Seeks to Support Chiloé Island’s Only Print Studio
A small lithography school in the Chilean island is yielding marvelously intricate works, but needs support to restock dwindling supplies.
A Survey of Aquatint Prints Throughout History, From François Boucher to Goya
An exhibition at the National Gallery of Art will trace the technique’s development through Europe, starting in the late 1700s.
A Printmaker Memorializes New York City’s Architecture
“Manhattan is my easel,” said Austin Thomas.
How an LA Printmaking Workshop Advanced the Career of Women Artists
Ruth Asawa, Anni Albers, and others first experimented with printmaking at June Wayne’s Tamarind Lithography Workshop.
Make Prints and Get Feedback at This Virtual Printmaking Summit
The three-day event includes tips on how to photograph your art, workshops on stencil-making, and much more.
How Leo Steinberg Saw the Profound Importance of Prints Before Most
“If you’re going to do art history,” Steinberg declared, “you’d better know what your artists were looking at. And that has to include prints.”
How Women Helped Revolutionize the Art of Printmaking
A new book examines the collective Atelier 17, whose members redefined beliefs about gender identity and artistic achievement in the 1940s and ’50s.