The LA-based foundation will fund a range of initiatives by curators studying prints, drawings, and other forms of graphic art.
With the overturning of Roe v. Wade a likely reality, Laia Abril and Carmen Winant’s print “The Right to Choose” has taken on a new and terrifying resonance.
“These prints are perhaps my surrender to Shadow,” writes New Mexico-based artist Maja Ruznic.
Gearhart founded a print gallery with her sisters and was at the center of the Arts and Crafts movement in southern California.
“Manhattan is my easel,” said Austin Thomas.
From Betye Saar’s travel journals to early paper silhouettes, projects and exhibitions promise to be fascinating.
The three-day event includes tips on how to photograph your art, workshops on stencil-making, and much more.
“If you’re going to do art history,” Steinberg declared, “you’d better know what your artists were looking at. And that has to include prints.”
In 1979, Frankenthaler traveled to the West Coast and was introduced to the gallery and studio Mixografia, where she would eventually produce a series of serene and exuberant prints.
The 72-by-48-inch print is based on the artist’s recent site-specific installation at the Mildred Lane Kemper Art Museum in St. Louis, Missouri.
The Associated American Artists wanted to bring art to every home.
Copies, Fakes, and Reproductions challenges viewers’ assumptions that “copies” must be “fakes” and therefore “bad.”