The live a cappella is a result of the conditions under which the songs were originally sung: in open fields.
Lawyers representing Guantánamo detainees say the detention center’s art program is beneficial to everyone and should be reinstated.
When I walked into the Greene Space for Creative Capital’s first Creative Conversations event — focused on artists who make work about criminal justice and the prison system — I felt a little skeptical.
First let me tell you what it’s like to be here.
NEW ORLEANS — Biennials, triennials, and other, similarly grand periodic art exhibitions are a funny thing; both local and global, they must balance an engagement with their home places alongside a broader artistic conversation.
Data artist Josh Begley has created an online Prison Map that catalogues aerial photographs of prisons, jails, and other American detention centers to give the architecture of the growing prison population a tangibility and scale.
SAN FRANCISCO — Stepping into a dingy and suffocatingly small cell, you’re immersed in an intense soundscape of horns and the chanting of Tibetan monks. It’s overwhelming, and as the noise builds and bounces around the cold cement room, you wonder if this is akin to the feeling of being trapped inside the space for days on end.
Eastern State Penitentiary in Philadelphia was designed to look like the most foreboding of fortresses on the outside, and a cathedral-like place of reflection on the inside.
While I often feel that galleries and museums have overzealous security guards, I was not completely prepared for entering the Clocktower Gallery in Lower Manhattan, located on what feels like the forgotten 13th floor of one the city’s courthouses.