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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Quad Cinema

Posted inFilm

The Raw, Unshakeable Queer Love in 1951’s Olivia

by Caden Mark Gardner August 8, 2019August 9, 2019

Jacqueline Audry’s powerfully complex film set in a 19th-century French boarding school for girl resonates even today, and it just got a new restoration.

Posted inFilm

A Joan of Arc Film Brings the Saint Down to Earth

Avatar photo by Beatrice Loayza August 6, 2019August 7, 2019

An expansive biopic, Jacques Rivette’s newly restored 1994 film Joan the Maid focuses on Joan of Arc the human first — and Joan the myth, saint, and warrior second.

Posted inFilm

The Delicious and Campy Queer Cinema of 1970s and ’80s Germany

by Anthony Hawley June 24, 2019June 24, 2019

The Quad Cinema in New York City is showing Queer Kino, a selection of queer cinema from East and West Germany in the 1970s and ’80s

Posted inFilm

Exploring a Film Critic’s Tastes Through the Movies She Loved — and Hated

by Justine Smith June 13, 2019November 4, 2019

On the centennial of Pauline Kael’s birth, the Quad Cinema is presenting Losing It at the Movies, a retrospective including both films that received her highest praise and those she viciously tore apart.

Posted inFilm

Quartet Chronicles a Twisted Ménage à Trois in the Roaring ’20s of Paris

Avatar photo by Beatrice Loayza May 7, 2019May 7, 2019

In Quartet (1981), now screening at Quad Cinema, filmmaker James Ivory explores sexual Stockholm syndrome and the persistence of patriarchy in seedy 1920s Paris.

Posted inFilm

40 Years of Margarethe von Trotta’s Fiercely Feminist Films

by Ela Bittencourt November 5, 2018November 5, 2018

A retrospective of the New German Cinema director’s influential work marks the release of her latest documentary, Searching for Ingmar Bergman.

Posted inArt

“I Couldn’t Avoid the ’60s”: Diane Kurys on Her Early Filmmaking in France

by Steve Macfarlane August 13, 2018

From capturing teenage innocence to 1968, Kurys’s slice-of-life movies are sparkling and big-hearted, but not without a caustic side.

The Curse of Frankenstein (1957, Peter Cushing (courtesy Everett Collection via the Quad Cinema)
Posted inFilm

The Film Studio that Perfected Cheap Horror Movies in the 1950s

by Jon Hogan June 5, 2018

A two-part series at the Quad Cinema chronicles the cheaply made and formally rich horror movies that the UK’s Hammer Films began producing in the 1950s.

A scene from Jeannette: The Childhood of Joan of Arc (2017, directed by Bruno Dumont)
Posted inFilm

Visions of Joan of Arc as a Dancing, Singing, Head-Banging Kid

by Eileen G’Sell April 13, 2018

French director Bruno Dumont’s latest, a ponderous experimental musical about Joan of Arc’s childhood, celebrates the innocence and banality of a young saint’s life.

Posted inArt

“I’m Disillusioned All the Time”: William Klein on His Legendary Film Career

by Steve Macfarlane March 8, 2018June 7, 2022

On the occasion of his retrospective at Quad Cinema, Klein talks about his movies, becoming a Parisian, and fascism in the US.

Posted inFilm

A Starkly Beautiful Film About Bach, Through the Lens of His Wife’s Diary

by Ela Bittencourt March 2, 2018

Jean-Marie Straub and Danièle Huillet’s The Chronicle of Anna Magdalena Bach, entirely played by professional musicians, is a peculiar and striking film.

Posted inFilm

The Creativity of Pre-Digital Animation in the 1970s and ’80s

by Steve Macfarlane February 2, 2018

A program of experimental American animation at the Quad is a gift, and a riotous romp through a pre-digital creative movement.

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