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Posted inPerformance

Ashes to Ashes, Words to Dance

The program for Rashaun Mitchell’s Nox contains a lone explanatory note: “When my brother died I made an epitaph for him in the form of a book. This is a replica of it, as close as we could get.” The words belong to the poet Anne Carson, and they come from the back cover of her eponymous book, published in 2010. They make you wonder: Is what we’re about to see a replica of that book, in the form of a dance, as close as the artists could get? A replica of a replica?

Posted inArt

Pharma-Cultural Landscapes

During a brief two-week run, Storefront for Art and Architecture was transformed into a laboratory by the creative team of Harrison Atelier (HAt) in their latest iteration of dance-installation titled Pharmacophore: Architectural Placebo. Conceived, dramaturged, directed and designed by the husband and wife team of Seth Harrison and Ariane Lourie Harrison the project explores “the cultural and philosophical economy that surrounds medicine, technology, and the human prospect.” Quite a heady agenda.

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