Books
The trek out to PS1 for the 2010 New York Art Book Fair [http://nyartbookfair.com/] took me on the E train to Long Island City, away from Hyperallergic's Williamsburg office. Yet somehow, the population of Williamsburg had followed me there. The concrete colonnade and ramped steps leading up to PS1'
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A generic survey of New York’s Lower East Side galleries [http://www.artcat.com/neighborhoods/6], perused at random on the first week of November, 2010, including observations from a viewer completely outside the art world. Jerry Saltz often ridicules artists for not going to see enough shows [http:
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Yoshitomo Nara's retrospective Nobody's Fool at Asia Society is what you would get if art museums loosened up and let themselves have some fun. After climbing the institution's glassy modern stairs, what greets visitors isn't a succession of white-walled galleries but a mishmash of wood-walled cubbi
Books
The New Museum's “Free [http://www.newmuseum.org/exhibitions/429/free]” exhibition is based on the freedom of cultural exchange that has followed the advent of the internet and digital technology. Following up on that emphasis on online activity, the exhibition's catalogue is entirely digital as wel
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To see the New Museum’s Free exhibition [http://www.newmuseum.org/exhibitions/429/], you'll have to fork over at least enough dough to make the $12 admission fee. For an exhibition that’s all about the limitless dispersion of culture quickly, easily and cheaply through the internet, the title presen
Books
The Brooklyn Museum's catalog for their Fred Tomaselli exhibition is pretty mammoth for a show that only takes up three galleries. Still, the tome serves well as a way to expand on ideas presented in the exhibition and give a greater view of the artist's work than would otherwise be possible in the
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Obrist is strange. There, I said it. In an event that often felt like a coffee klatch at Obrist's house, the art world power broker known as Hans Ulrich Obrist — he’s #2 on Art Review’s Power 100 — had a book reading last Saturday at MoMA’s PS1 in Long Island City for his newest publication, Hans Ul
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The first offering of the Guggenheim's Youtube Play biennial kicked off with a lot of spectacle, not limited to a ladder-perch musical performance by Ok Go and a stage setting [http://hyperallergic.com/11332/guggenheim-play-biennial/] more suited to a television show than an art exhibition. From the
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Jim Herbert’s paintings of naked lovers are not for the feint of heart. At first glance, viewers might want to look away as though catching a glimpse of a couple kissing. And some people will totally avert their eyes from these intense canvases. At the opening for the recent show at the English Kill
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Ltd Los Angeles is an inconspicuous gallery nestled into Sunset Blvd. a block from a great comic book store, two good restaurants, and an awesome dirty Mexican joint. The gallery has been open for a while, but with blacked out windows and a small logo, it is hard to spot. Their fourth and current sh
Books
You might remember Poster Boy from his days wreaking havoc on the New York City (Brooklyn) subways, slicing up vinyl-adhesive posters with a pocketed razor and remixing them at will. The prankster switched up celebrity bodies, rearranged words, got big in the blogosphere, profiled in New York Magazi
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This past weekend was the annual Frieze Art Fair, held in London. Featuring over 150 galleries from all the best Western nations (and maybe a few others), the Frieze Art Fair is one of the largest and most notable in the world. This was my first outing to Frieze, and people keep asking me “How was i