Art
For Kaari Upson, the Abject and Grotesque Were a Wealth of Inspiration
To see Upson's memorial exhibition at Sprüth Magers is to absorb the full intensity of the artist’s explorations of trauma, vulnerability, and abjection.
Art
To see Upson's memorial exhibition at Sprüth Magers is to absorb the full intensity of the artist’s explorations of trauma, vulnerability, and abjection.
Books
The camera became the center of Chauncey Hare's life, and a tool for awakening his political consciousness.
Art
The Utah Museum of Fine Arts presents artworks that make visible the quality and inequality of what we breathe.
Art
What’s an artifact, what’s an artwork, what’s a prop, what’s decoration, what’s disposable — these are questions that Aguilar has taken up with great enthusiasm.
Art
In Space Popular's presentation at the Sir John Soane's Museum the VR content does not complement the physical, but widens the gulf between art history and contemporary art making.
Art
The interplay between bodies and emotions in Goring’s work, and their potential to be transformative, reveals the politics that pump through the artist’s ever-exposed heart.
Art
His detailed images of microscopic aquatic creatures suggest a version of Surrealism’s dream realities.
Books
In no small feat, Why I Make Art condenses artists’ multifaceted, meandering spoken stories into lively, relatable narratives that draw the reader in.
Art
Korea's Dansaekhwa artists eschewed the idea of art-about-art and commodity culture in favor of an abstract art imbued with traces of the struggle for liberation and cultural identity.
Film
From her personal writings, along with fragments of her work and recollections of friends and family, Loving Highsmith constructs a view of the author that is more intimate than most.
Books
Author Jillian Hernandez theorizes the intersecting formations of gender, class, and race in relation to the self-presentation of Black and Latina women and girls.
Art
Wilson's installation challenges not just outwardly violent historical figures but subtle colonial aesthetics still embedded in the city’s more liberal public monuments.