Art
Sonia Gechtoff Finally Gets Her Due
Gechtoff’s work did not fit into any of the New York art world’s narratives of progressive art. It is time we look closer at what this marvelous artist achieved.
Review
Art
Duke Riley’s Burlesque Spin on the Trappings of Museum Display and Folk Art
Riley’s nautical-themed exhibition brims with antic details that constitute a feat of serious world-building.
Art
Shirley Tse's Ecology of the Everyday
In her art, Tse confronts the hypocrisies of our larger environmental reality, in which the time to search for sustainable models is running out.
Art
William T. Wiley's Wild Art Legacy
Nothing Is to Be Done for William T. Wiley is a roller derby of irreverent and energetic ideas and a serious revelation about Northern California’s art historical significance.
Books
The Patrons Who Sustained Sophie Taeuber-Arp
The letters between Taeuber-Arp and her patroness, Annie Müller-Widmann, show the usually invisible tending that goes into an artist-patron relationship.
Film
Different Hong Kong Generations Come Together in Protest Reenactments
Blending documentary and reenactment, director Chan Tze-woon compares and contrasts contemporary and historical activist movements.
Art
Collage as a Strategy of Cultural Collision
Troy Montes-Michie cites the US/Mexico border as his “first experience with the language of collage,” describing it as an amalgamation of “two very separate cultures colliding on every level.”
Books
God Just Wants Us to Love Her Back
In a new graphic novel, author and cartoonist Liana Finck recasts the famously vengeful and masculine biblical God as an insecure and emotional female deity.
Film
Television’s Best Action Cartoon Is Back
Directed by virtuous animator Genndy Tartakovsky, Primal is a continuously inventive and exciting adventure through a prehistoric fantasy world.
Art
Judy Chicago’s Wo/Manhouse 2022 Could Use Some More Diversity
Although more inclusive than the original 1972 Womanhouse, the current remake would still benefit from more BIPOC artists, a broader intersectional dialogue, and a wider breadth of lived experience.
Film
The First Feature Documentary Made Entirely in Virtual Reality
We Met in Virtual Reality raises the bar for VR filmmaking, and has an optimistic vision for the potential of the metaverse.
Art
Who Has the Authority to Tell a Region's History?
Lydia Ourahmane asks whether her journey to the remote Tassili n’Ajjer plateau should be considered neocolonial tourism or an artistic exploration of cultural heritage.