Art
Etel Adnan Reflects on Aging With Gentle Hues
A sense of longing pervades Seasons, which opened at Galerie Lelong just as New York City reached peak autumn foliage.
Review
Guide
Sam Gilliam's Tactile Choreography of Colors
For six decades, Gilliam’s colors have swirled on canvases, his practice levitating above categorizations. For his latest exhibition, the artist has created what he calls a “dance” between three new bodies of work.
Art
Stirring Video Art Questions the Notion of “Freedom”
Borders of Freedoms / Contornos de Libertad presents video work by six artists living in El Salvador and its diaspora.
News
Shahzia Sikander Urges a Rethinking of Art History
Sikander’s first New York solo show in nine years includes a captivating range of paintings, mosaics, animations, and the artist’s first-ever sculpture.
Art
Leilah Babirye Imagines Queer Clans of Uganda
Spanning two galleries at Gordon Robichaux, Babirye’s commanding solo exhibition transforms discarded objects into queer guardians.
Art
A Surreal and Eerie Look at Los Angeles Over the Past Decade
In Stanya Kahn’s earlier films, Los Angeles seems ready to spark a revolution at any moment. But in the newest adventure, the urban sprawl creeps into the inhabitants’ states of mind, and everything languishes.
Film
Election Films to Stream to Take Your Mind Off the Upcoming Vote
Here are some movies that put the "fun" in "definitely functioning democracy!"
Music
Adrianne Lenker Finds Quiet Joy in Sorrow
Lenker indulges no domestic rural fantasies. Her songs instead teem with danger and magic.
Books
A Dictionary Takes Us Through the Fascinating History of Symbols
Juan Eduardo Cirlot’s A Dictionary of Symbols has been an invaluable resource for decoding symbols since it was first published in 1958.
Art
The Evolution of Instagram Activism
Many activist graphics on Instagram are deeply indebted to the visual language developed by W.E.B. Du Bois in his data portraits and the long history of visual activism.
Art
Howard Hodgkin Gushes Forth
Howard Hodgkin: Memories — the first show of any importance since the artist’s death — seems to open him up as never before.
Art
Peter Saul, American Gadfly
Before he turned 30, it was clear that Saul had found his subject: an American society deeply rooted in consumerism, pervasive racism, and toxic masculinity.