Art
Patrick Strzelec Shows Us One Way to Cut the Mustard
Uncertainty is important, and not just because we are living in uncertain times.
Art
Uncertainty is important, and not just because we are living in uncertain times.
Art
Lacking any attempts to deepen or broaden conversations about Hujar’s work, Cruising Utopia at Pace Gallery feels more like a store than an exhibition.
Film
Directors Bill and Turner Ross talk about their new documentary Bloody Nose, Empty Pockets and how they created a "theater of people."
Art
In Relics and Remains, Fung’s portraits reframe East Asiatic femininity, prompting the viewer to interrogate the tropes of Orientalism.
Books
Steven Heller’s latest edition of The Swastika and Symbols of Hate begs the question: if one were truly interested in divesting the symbol of its power, would it not be better to let it fall into the dustbin of history?
Film
Atsushi Sakahara, the survivor of a terrorist incident, films his journey with the spokesman for the group that committed the attack.
Books
In 2020, Monument Lab: Creative Speculations for Philadelphia is not merely a living handbook, but an uncanny prophecy.
Film
For any American even mildly ignorant of the rich, complex legacy of Civil Rights within our decidedly disunited country, Dawn Porter's John Lewis: Good Trouble should be mandatory viewing.
Art
Even in this acute moment in our history, the artist is able to slow down his looking to find and celebrate the beauty of human determination.
Film
Family Romance, LLC uses a Japanese rental family service to blur the line between reality and fiction.
Film
I’m not saying that this is what you should do instead of watching Hamilton on Disney+, but I’m not not saying it either.
Film
While the series often falters, season two feels less self-conscious about its status in this iconic franchise, and more willing to simply be itself.