Art
Paintings by the Famous, the Forgotten, and the Emerging
Two exhibitions explore the work of three painters in a chain of influence: Alan Davie, David Hockney, and Christina Quarles.
Art
Two exhibitions explore the work of three painters in a chain of influence: Alan Davie, David Hockney, and Christina Quarles.
Art
Pete Schulte's drawings at first seem to be easily apprehended and quickly digested, but they demand a deeper reflection on choices and motives.
Art
Is Joanne Greenbaum making fun of collectors’ tastes, or is she enlarging the definition of art? The fact that you cannot tell is what is so great about her work.
Art
It seems that Wong was in touch with his deepest feelings and they came through in all of his art; this is what makes him special.
Art
Questions of privilege aside, the range of abstract works reminded me how artists are providing nuanced ways of thinking about identity that move beyond exclusion/inclusion binaries.
Film
At the 2019 International Documentary Film Festival Amsterdam, the programming strand "The Villain" looked for new ways to depict unsavory subjects.
Film
Film Forum's new series Scorsese Nonfiction brings an under-discussed facet of the director's career into focus.
Film
Kicking off today at Film at Lincoln Center, the series presents a body of work that’s particularly heartening when one considers the encroachments on freedom that Brazilian cinema must now confront.
Books
Mary Sully's artwork reflects her cultural moment, but it is also as a blueprint for rewriting history to include marginalized perspectives.
Art
At a time when women were seen as incapable of serious creative or intellectual activity, Sofonisba Anguissola and Lavinia Fontana gained international renown for their exceptional bodies of work.
Film
We might think of Adam Khalil and Bayley Sweitzer's latest as a cyborg film — both its subject matter and formal approach depend on unifying across difference, a fuck-you to essentialized binaries.
Books
In her new book on changing patterns of cultural production and consumption, Fatima Bhutto posits that it’s not American pop songs but K-Pop that has become the soundtrack of globalization.