Art
Unconstrained Paintings of Terror and Love
Joe Coleman is a hyper-realist who crams every picture with data, producing an image of all-over intensity that is at once a scrumptious meal and hard to stomach.
Art
Joe Coleman is a hyper-realist who crams every picture with data, producing an image of all-over intensity that is at once a scrumptious meal and hard to stomach.
Art
By the mid-1970s, critic Thomas Hess acknowledged the critical favoritism shown to postwar male artists when he singled out the women of the Ninth Street Show as “sparkling Amazons.”
Art
While Tatsumi Hijikata and Eikoh Hosoe reflected the countercultural mood of Japan’s postwar avant-garde, the trauma of World War II is inscribed in both artists’ aesthetics.
Art
Sarah Amos’s work may be labor-intensive, yet it conveys neither labor nor the consumption of time, but a meditative joy.
Film
Some of the best films at the Montreal International Documentary Festival explored themes of wasted potential and the relationship between humanity and the planet.
Art
The artist — still brilliant and brimming with artistic talent — will celebrate his 86th birthday on November 30.
Books
In Radical Suburbs, author Amanda Kolson Hurley argues that the failures and achievements of suburban life offer a roadmap to future sustainable and equitable housing.
Art
In her first major solo show in London, Kudzanai-Violet Hwami’s paintings recall the all too familiar diasporic experience of being foreign in both places you call home.
Film
63 Up is the latest installment in the Up series, which has revisited a set of British people every seven years since they were children, tracking their lives and development.
Art
After viewing Art and Race Matters: The Career of Robert Colescott — the artist’s most comprehensive retrospective to date — it feels fair to assume that factions of society still aren’t ready for Colescott.
Performance
At Performa, Huang Po-Chih and Su Hui-Yu each staged theatrical productions concerning collective mourning and memorialization. Yet while Su built upon his own relationship to a story of loss, Huang seemed to impose himself upon someone else’s.
Art
In The Last Cruze, the artist hones in on the vast inequities that persist in US society, as well as the tender relationships that enable survival and persistence in spite of them.