Books
Putting the Art Back in Art History
Christopher S. Wood’s A History of Art History will be eye-opening for anyone who cares about art.
Books
Christopher S. Wood’s A History of Art History will be eye-opening for anyone who cares about art.
Art
In his current exhibition, Belott degrades the modernist grid, making it lumpy with swollen puffs that participate in the artwork’s visual order while satirizing it.
Art
In unabashedly sexual, but not necessarily erotic paintings and drawings, the artist Aaron Skolnick focuses on men — naked and intimate.
Art
Kim Tschang-Yeul transformed the formal vocabulary of American abstraction into a symbolic possibility in his paintings. He was not interested in making a pure painting.
Art
Painter Anne Appleby, who lives on a ranch in rural Montana, is highly attuned to the colors she sees in her landscape, as well as to the changing light and seasons.
Film
Huyghe's The Host and the Cloud, which ran at the Crossing the Line festival, creates a surprising sense of solemnity in making ready for events.
Books
Etgar Keret's stories are absurd, tragic, surreal, and often dramatic, with surprising and shocking twists.
Film
In MoMA’s first exhibition composed entirely of home movies, visitors are placed into the perspective of these amateur filmmakers, ever so often stumbling upon a choice moment of intimacy.
Books
Including poems from well known writers and less expected artists, Black Mountain Poems produces a keener vision of the interdisciplinary culture of the famed college.
Art
The artist’s new commission leaves much to contemplate simultaneously — mortality, desire, and the ways in which absence and longing are such a fundamental part of life.
Performance
The experimental play Manmade Earth, a co-presentation of FIAF’s Crossing the Line festival and The Invisible Dog Art Center, demanded that its audience listen to the experiences and anxieties of adolescents from around the world.
Art
The power of her work comes from its suggestion that specificity and universality, when it comes to identity and experience, are not mutually exclusive concepts, but often exist side by side.