Art
The Desire to “Undo” Giving Birth
Videos of a birthing in reverse in Candice Breitz's Labour document the process of mothers undoing the moment they gave birth to men who would become tyrants and dictators.
Art
Videos of a birthing in reverse in Candice Breitz's Labour document the process of mothers undoing the moment they gave birth to men who would become tyrants and dictators.
Art
“No matter what I tried, what fit best was work that involved my love of something small-scale and intimate.”
Art
Can the enduring presence of such monuments among us still have the power to reinforce deep-rooted prejudices, by the very fact that they have simply not gone away?
Art
Matt Kleberg's paintings are nonetheless accessible, affording the viewer opportunities to "trespass."
Art
Bernard Piffaretti is an artist who recognizes painting as an act of inquiry and skepticism.
Art
Bauhaus Beginnings succeeds in reanimating the dialogue that began in the school’s classrooms and hallways, and in following it, as it spilled out into the streets of a country.
Art
Sze’s dynamic sculptures aim to capture relationships and their gaps, the solidity of objects and their discarding.
Art
Rebecca Morgan has absorbed the basic tenets of Neoclassical drawing and applied them to raunchy, sexually explicit subject matter, something you cannot imagine Nicholas Poussin or Jacques-Louis David ever doing.
Film
Devoted to experimental film and video work, the annual sidebar presents a range of shorts that explore the negotiation of identity in manners both playful and stark.
Film
In Trouble, after learning that parts of a BBC documentary about her father were faked, Mariah Garnett sets out not to correct the record, but to play with it.
Art
In Madeline Donahue's first solo exhibition, Attachments, the relationship between a mother and child threatens to subsume each individual into one being.
Art
The results are arresting, as the writers, who are also men in prison, make anonymous images their own, speaking out of their own experiences, bringing insights and empathy that no outside critic or art historian could.