Art
Are Joe Massey’s Prison Drawings the Next Big Thing?
A remarkable cache of drawings by a now-deceased, African-American prisoner in Ohio might be just what the art market has been waiting for.
Art
A remarkable cache of drawings by a now-deceased, African-American prisoner in Ohio might be just what the art market has been waiting for.
Art
Sara VanDerBeek’s new print series, Women & Museums, interrogates how women occupy institutional spaces, particularly through the prominence of traditionally craft media like ceramics and textiles.
Art
William Powhida reorients our perspective away from the individuals who lead and fundraise for cultural institutions and redirects it toward international flows of capital.
Art
If there is a folly to what Zhang Wei has done, there is also a defiance of the commercial aspect of the art world.
Film
In eschewing claims to an unmediated reality, Synonyms reveals truths about French society often masked by reality itself, while Young Ahmed obscures crucial systemic injustices in Belgium under the guise of realism.
Art
For her Hauser & Wirth debut, Sherald restructures historical notions of blackness through the use of grisaille.
Film
Film poet Manfred Kirchheimer shows off beautiful restored footage he shot in NYC from 1958 to 1960 in Free Time.
Art
A showcase of contemporary art and craft made of glass demonstrates how this millennia-old material continues to adapt effortlessly to our own era.
Film
In his latest film, Zombi Child, Bertrand Bonello complements his usual emphasis on aesthetics with an insightful critique of colonialism and the contradictions of liberalism.
Film
The Wild Goose Lake is the latest Chinese crime film to smuggle a critique of the country's inequality, surveillance, and the police state under the guise of genre.
Art
Hazan’s exhibition sounds a low-volume alarm at the increasingly severe effects of climate change while prompting us to consider the artist’s reconstructed experiences of atmosphere, weather, and geography.
Art
The Met Breuer mounts recent acquisitions from Latin America, South and Southeast Asia, West Asia, and North Africa alongside mainstays of postwar American art, sketching a potential reorientation of art history.