Art
The Women Photojournalists Who Blazed Trails in the 1940s and '50s
An exhibition at the New-York Historical Society presents the work of six female photographers who worked for LIFE magazine during its golden age.
Art
An exhibition at the New-York Historical Society presents the work of six female photographers who worked for LIFE magazine during its golden age.
Film
The IFC Center is running the largest retrospective to date of Abbas Kiarostami’s work, and its short film program is full of the director's masterfully rendered trademarks.
Film
This labor of love was shot over the course of 10 years in around a dozen countries across South America, Europe, and Asia.
Art
Perhaps unsurprisingly, considering the exhibition’s generic name, in trying to be everything to everyone, it’s hard for Manga to satisfy anyone.
Art
Mounira al-Solh resists homogenizing narratives about Arab women in her work's specificity and its rejection of expected characters or sensationalized accounts.
Art
Gallery Nights, organized by LIC Arts Open, brings neighborhood art spaces together every month for after-hour events and exhibitions, encouraging connectivity between cultural spaces and the local community.
Books
In BOOM: Mad Money, Mega Dealers, and the Rise of Contemporary Art, Michael Shnayerson paints a vivid portrait of the dizzying ascent of the contemporary art market and the powerful succession of dealers responsible for its rise.
Art
The power relations presented in an exhibition at the Pulitzer Arts Foundation are selective. We get a discussion of ancient power — but what about the modern power to acquire these objects regardless of legal or ethical concerns?
Film
We Can’t Even: Millennials on Film, a series of films at BAM about, by, and for millennials, is a rebuttal to the narratives that dominate the discourse around a generation's priorities and perspectives.
Film
The movie makes its world of 1969 Los Angeles feel incredibly lived-in, not merely a look back but a transporting experience.
Art
Simone Leigh's work, on view at the Guggenheim Museum, is inhibiting in a particularly difficult way: it doesn’t seduce; it doesn’t explain, it doesn’t rely on interpretation; it doesn’t care what I think.
Film
The latest edition of the Fantasia International Film Festival continued its trend of elevating female filmmakers.