Art
Washing Down the Canon with Wine and Oysters at TEFAF New York
Amid all the works by familiar white male modernists on view at the plush and posh fair, there are many superb pieces by women and artists from Latin America.
Art
Amid all the works by familiar white male modernists on view at the plush and posh fair, there are many superb pieces by women and artists from Latin America.
Art
Driven by a boundless intellectual curiosity, Szeemann challenged historical narratives and exploded aesthetic hierarchies, expanding the role of curator from simply a steward of objects to a shaper of ideas.
Art
An exhibition at the Lille Métropole Museum of Modern, Contemporary and Outsider Art tells the story of early experiments that led to the first cybernetic sculpture in art history
Art
Jacolby Satterwhite’s art is nearly the opposite of the fascist, illusionist US government regime we currently live under, and is far more radical — creating something that could otherwise never be.
Guide
The exhibition features some compelling artwork, but it falls into the same traps and stereotypes that have plagued many museum exhibitions featuring outlier artists (if that’s what we’re supposed to call them now).
Art
The rural-chic Hauser & Wirth Somerset has an exhibition that contrasts our idealized expectations of the countryside with the historic realities of agrarian living.
Film
In his documentary Victory Day, Ukrainian director Sergei Loznitsa unflinchingly captures a ceremony in Berlin commemorating the Soviet defeat of the Nazis.
Books
Even before her daughter was born, artist Tyler Cohen was determined to raise a feminist.
Art
Some artists seem to negate any attempt at communication with the viewer, and pass on the inconvenient responsibility of generating some coherent meaning to curators.
Art
At the Yale Center for British Art, treasures from a lost 17th-century wunderkammer are reunited with a painting of its wonders.
Books
According to Grant Snider, "genius" is: 1% inspiration, 29% perspiration, 5% improvisation, 8% aspiration, 7% contemplation, 15% exploration, 13% daily frustration, 11% imitation, 10.9% desperation, and 0.1% pure elation.
Performance
Summoning within her own body the necessary force to make the assemblage crumble, Foulkes transforms the dancer-sculpture duet into an aerial mosh pit.