Art
The Politics and Repercussions of Color in Two Exhibitions
Edgar Arceneaux complicates the viewer's relationship to the history of blackface, and Yishai Jusidman depicts his particular vision of the Holocaust.
Art
Edgar Arceneaux complicates the viewer's relationship to the history of blackface, and Yishai Jusidman depicts his particular vision of the Holocaust.
Art
Adiós Utopia memorializes the driving utopian conceit of contemporary Cuban art, its galleries a testament to the credulity of this dream.
Art
In an exhibition at the Grand Rapids Art Museum, Rockman portrays the histories and environmental crises of the world's largest freshwater ecosystem.
Books
With a nod to Heinz Edelmann and Milton Glaser, Néjib illustrates a couple of formative years in the life of David Bowie.
Art
Lauren Frances Adams offers three bodies of work that celebrate black female exceptionalism and expose the supporting roles of white women in US Confederate history and propaganda, offering a multifaceted site-specific, visual history lesson centered in Baltimore.
Art
Rather than etched on vinyl, tiny grooves were cut onto a medical X-ray, tracing shallow circles over the ghostly shapes of bones.
Film
Black Is the Color, a 50-minute documentary, offers a survey of African-American art from 1867 to today.
Books
Lynn Melnick’s poetry — particularly its themes of sexual abuse, rape culture, violence, sex work, and drug use — pushes the boundary between public and private.
Art
Douglas Florian’s choice of words reminds us how much our nation indulges in name-calling and name checks.
Art
Nakadate’s The Kingdom is haunted by grief and irrevocable loss.
Art
Mann’s historical and social explorations are anchored in her embrace of her identity as a Southerner.
Art
Colin Brant paints a peaceable kingdom of leopards, orangutans, owls, and parrots.