Art
SVOLVÆR, Norway — “Lofoten is at a tipping point,” a local artist told me the night I arrived on the Norwegian archipelago for the opening weekend of the 2015 Lofoten International Art Festival.
Art
BUDAPEST — On September 13, I lightly followed the Sunday flow of the Gallery Weekend Budapest festival of Hungarian contemporary art.
Art
HONG KONG — Taking the temperature of the art at Hong Kong South Island Art Day 2015, the thermometer reads hot and feisty. Young Hong Kong artists also appear bruised — with Occupy Central, self immolations in Tibet, the fractious situation with mainland China, and the more droll issues of their gl
Art
Eighteen sculptures by Isamu Noguchi are dispersed across the Brooklyn Botanic Gardens just as late summer is turning to fall.
Books
A three-decade exhumation to retrieve the forgotten career of one of the most influential 19th-century American architects was completed this June with the release of Henry Howard: Louisiana's Architect.
Art
In 2013, Judge Shira A. Scheindlin issued a ruling which effectively dismantled the New York City Police Department’s racist stop-and-frisk policy.
Art
In 1936, the Museum of Modern Art showcased a project by the famed photographer Edward Steichen that featured work not in his expected medium, but Delphiniums he had bred himself at Umpawaug, a farm he owned in Connecticut.
Art
“To wear masks put them off,” writes Ruth Greisman, alter-ego of the late artist and writer Robert Seydel. Though based on and named after Seydel's real-life aunt, Ruth is largely a fictional construct.
Art
I was unexpectedly reminded of the wonderfully irreverent filmmaker Seijun Suzuki while looking at Dana Schutz’s painting, “Slow Motion Shower” (2015), which is included in her current exhibition, Fight in an Elevator, at Petzel.
Music
Yo La Tengo have always been a peaceful, lyrical-sounding band, but the fragility level on their new album is something else.
Art
There are certain exhibitions in which some or many of the works on display are so interesting, provocative or well-made that they somehow manage to surmount whatever restrictive or overwrought critical-theoretical trappings their organizers have erected around them, defying the analytical filters t
Art
To say that Jackie Saccoccio’s big, drippy, radiant abstractions are all about surface — the skin of the paint — is to say everything and nothing about them.