Art
Tripping Through Digital Landscapes in Virtual Reality and on Canvas
The works in Rachel Rossin’s show at Zieher Smith & Horton unfold sequentially, like the illustrations of an idea that is carefully trying to prove itself.
Art
The works in Rachel Rossin’s show at Zieher Smith & Horton unfold sequentially, like the illustrations of an idea that is carefully trying to prove itself.
Art
MIAMI — &gallery is a small space that, if crowded, requires lots of shuffling and peering over shoulders.
Art
MEXICO CITY – “America is a big place,” Latin Americans often say in response to American exceptionalism, underlining the US's perceived reign over the rest of the continent through political and economic domination.
Art
LOS ANGELES — We are what we eat, the saying goes, but do the artificial components of the modern diet make us something other than human?
Art
HAMTRAMCK, Mich. — The average American consumer has no idea how much labor goes into an everyday object, even one as omnipresent as, say, a little black dress.
Art
“The performance is about 70 minutes long,” said 72-year-old composer Yoshi Wada, introducing his iconic “Earth Horns with Electronic Drone” at Soho's Emily Harvey Foundation.
Performance
The title of writer-dancer-artist-choreographer Ralph Lemon's new production, Scaffold Room, describes equally well the contraption on and around which it's staged and the way the piece is structured.
Art
NEW ORLEANS — During a recent tour of the Michael Meads retrospective at the Ogden Museum of Southern Art, curator Bradley Sumrall jokingly credited the artist with single-handedly inventing the “hot redneck” genre with his photographs of young Southern men in various states of languid shirtlessness
Art
Making sense of an overarching theme like “figuration” would seem a daunting task.
Art
Pathetic, just pathetic, to expect Strangers to know your name I guess Such is the price of fame
Art
World War II signaled the death of figurative art, or so the High Modernist narrative once contended.
Film
As it might be if Harper Lee or Thomas Pynchon ambled out of seclusion and made appearances at bookstores and literary conferences, the world theatrical premiere of Out 1: Noli me Tangere is not simply a coming-out party.