Art
Remembering Forgotten Female Printmakers from the 16th to 19th Centuries
In the 19th century, Henrietta Louisa Koenen, wife the Rijksmuseum Print Room's first director, took a prescient interest in acquiring prints by women artists.
Art
In the 19th century, Henrietta Louisa Koenen, wife the Rijksmuseum Print Room's first director, took a prescient interest in acquiring prints by women artists.
Art
In 2013, artist Kelly Heaton had a vision of a magnificent bee appearing in the darkness, illuminated by an iridescent aura.
Art
LOS ANGELES — From the Archives: Art and Technology at LACMA, 1967–1971 is a look back at a pioneering program at the Los Angeles County Museum of Art which matched leading artists with aerospace and technology companies in the hopes of producing cutting-edge artworks.
Art
LOS ANGELES — Queerness is often expressed through figuration or performance, but Surface of Color, curated by artist Paul Pescador, challenges the notion that identity must be explicit by presenting works that elude easy definition.
Art
SAN ANTONIO, Texas — This summer, curator and art historian Ruben Cordova organized an unprecedented four-part exhibition of Casas’s work, illustrating the singularity of the Humanscapes series and asserting Casas’s critical role as a Chicano Pop artist.
Film
If the 53rd New York Film Festival is any indication, the world’s filmmakers are feeling the heat.
Books
Although long recognized in the Soviet Union and later Russia as a great poet continuing in the tradition of Osip Mandelstam, Arseny Tarkovsky — father to renowned film director Andrei — has been little known to Western readers, and almost entirely unknown in English.
Art
There are five artists among the Chicago Imagists who did reverse paintings on Plexiglas between the late 1960s and the mid-70s: Jim Nutt, Gladys Nilsson, Ed Flood, Karl Wirsum and Barbara Rossi.
Art
When first I heard that the sculptor Josiah McElheny had devised a series of paintings for his current show at Andrea Rosen Gallery, I tried to imagine what they would look like.
Performance
The ninth edition of the French Institute Alliance Française’s Crossing the Line festival concluded on October 4 after presenting over three weeks of interdisciplinary performances at various venues across New York City.
Art
What if canonical art history had been written not by academics but by art’s makers themselves? Who would have been included in such a history, and who would have been left out?
Art
NORTH ADAMS, Mass. — Nearly eight years ago I wrote a review leading off with the question, “What is it about Anselm Kiefer’s art that inhibits unfettered admiration?”