Employing drones, Mosse creates psychedelic aerial maps of ecological degradation.
Richard Mosse
Posted inArt
When You Can’t Go Home Again: Immigrants and Artists Reflect
This exhibition at ICA/Boston presents works by 20 contemporary artists — many of them immigrants or members of the African diaspora — that highlight current migration events.
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Richard Mosse Uses Military Equipment to Show the Reach of the Surveillance State
The photographer uses a heat-sensing camera to turn a critical eye towards governments’ insufficient responses to a humanitarian crisis.
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The Unsettling Urge to Find Beauty Amid War
At Jack Shainman Gallery’s The School, a show of four artists explores how our memories of a place can shift radically after war.
Posted inOpinion
J. Crew Offers a Tote-ally Useless Way to ‘Help’ Nepal
Just in time for your summer beach trip, J. Crew has released a limited-edition tote bag emblazoned with a Slurpee-shaded landscape and discreet sans serif lettering wishing “Love to Nepal.”
Posted inArt
Seeing the Invisible in a Humanitarian Crisis
BERLIN — In a visually stunning multichannel video installation, “The Enclave” (2013), Richard Mosse has created an immersive environment that plunges the viewer into the heart of the ongoing conflict in the Democratic Republic of the Congo. The installation in the Irish Pavilion at the Venice Biennale consists of multiple screens positioned throughout the center of the room; they are transparent scrims, so you can see the projection simultaneously from both sides.