Art
Lessons in Gigantism: Richard Serra Makes It Work
And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. There’s nothing else like it.
Art
And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. There’s nothing else like it.
Opinion
Today New York's City Council voted on a proposal to co-name the block of Stuyvesant Avenue between Lexington Avenue and Quincy Street in Brooklyn "Do the Right Thing Way" after the Spike Lee joint that was filmed there in 1989.
Art
2015 marks the 30th anniversary of Jorge Luis Rodriguez’s “Growth” and the public art program that initiated its creation.
Art
The inaugural exhibition at the new Whitney Museum of American Art, which opens to the public today, is predicated on the elusiveness of a cohesive and stable national identity in the United States.
News
New legislation to be submitted to the New York City Council on Tuesday could bring an end to a decades-long debate surrounding democracy and public art.
Art
Boxing Day is a holiday celebrated by aesthetes the world over. In order to purify ourselves after the rampant commercialism and visual over-stimulation of the past month, we devote this day to the solemn contemplation of square and rectangular Minimalist sculptures.
Art
Like Serra, Puryear went to Yale’s famed M.F.A. program (1969-71), but he attended five years after Serra had graduated. In fact, Serra and Robert Morris were visiting artists while he was a student there.
Art
It is easy to forget that Richard Serra (b.1939) and Martin Puryear (b.1941) were born only two years apart. The different relationships that they developed toward craft and materials makes it all too easy to overlook that they are nearly contemporaries.
Art
DOHA, Qatar — This spring, Richard Serra has made his mark on the Arab Gulf in a characteristically big way. Several important pieces are currently on view in Qatar, two of them permanent installations commissioned by the Qatar Museums Authority (QMA).
Art
It’s been over twenty years since we’ve seen Joel Perlman’s large-scale sculptures on exhibition in New York City. The size and weight of his mighty works in welded steel can be a challenge to show, but Loretta Howard Gallery has pulled out all the stops rigging in five new large-scale works (four i
Opinion
Earlier today @museumnerd tweeted out a link to a view of Michael Heizer's land work "Double Negative" (1969) in Google Maps. Viewed in satellite, from high above, Heizer's 1,500-foot-long trenches looks almost incidental, like cuts made with scissors into the skin of the earth.
Art
There may be some great-looking specimens of postwar art in Re-View: Onnasch Collection — an exhibition that turns Hauser & Wirth’s cavernous Chelsea outpost into a mini-museum offering the kind of intimate experiences that have been all but lost in New York’s uptown behemoths — but the show also ar